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Waiting on Final Cut Pro X 10.3
October 2016

Final Cut Pro X professionals have been waiting to see what the FCPX team has up their sleeve with the next major feature update for over 18 months. We very likely will see what they've been working on this week probably around or before the FCPX Creative Summit in Cupertino. That's not 100% certain, since we're dealing with Apple, but it is very very likely.

Apple has announced a "hello again" event on October 27, also in Cupertino, which should introduce new Macs and maybe with a few surprises. I suspect we will at least see a preview of a 2017 Mac Pro and 5K display and maybe Apple will demo the new Macs with FCPX. A new iMac is also a strong possibility. I'd be interested in an iMac Pro with a wider screen, beefier graphics and an 8 core CPU option. I'm sure I'll be buying a new 15" MacBook Pro since mine is half a century old.

You can watch the live stream of the Apple "hello again" event on Thursday at 10 AM Pacific, 1 PM Eastern time here.

What about Final Cut Pro X?

On the same day as Apple's "hello again" event, the FCPX Creative Summit starts a few blocks away. Is this a coincidence? Probably not.

A launch of a major update to FCPX would not get that much attention outside of current or would-be FCPX users. So it seems logical that they would do it this week at the FCPX Creative Summit. The Summit is a once a year USA event that has some of the best FCPX professionals basically showing off FCPX for three days. There will be case studies, demonstrations and sessions showing FCPX workflows and techniques. There also could be a few surprises in store for the FCPX faithful with this update.

Final Cut Pro has made significant strides in the high end professional marketplace over the last several years, especially with the major Hollywood films "Focus", "Whiskey, Tango, Foxtrot" and "Geostorm", which were all edited with Final Cut Pro. Michael Cioni from Light Iron recently had some directors, producers and editors from "Whiskey, Tango, Foxtrot" together in a panel discussing their workflow and why they chose to use FCPX.

Whiskey, Tango, Workflow panel at Light Iron

 

FCPX's install base numbers haven't been updated for 2 years. In 2014 Apple said there were "more than one million separate installations of Final Cut Pro X". It's not that the install numbers make that much difference, but Apple has set a precedent over the last 16 years by always giving these numbers. I'm curious if there are over 2 million or even 3 million installs at this point.

The FCPX Creative Summit will be the Final Cut Pro epicenter on the planet this week. I think that a new version of Final Cut Pro could open a lot of doors that have been closed to it for awhile and make FCPX the king of professional NLEs once again.

Also before you install a new version of FCPX, visit our article on Getting Ready to Update to Final Cut Pro

 

As usual, the best Final Cut Pro professionals from around the globe will be discussing FCPX on The Final Cut Pro Radio Show. I'll be posting live and near live updates during the Summit. Follow along on Twitter @FCPRadio1 or on Facebook at Facebook.com/groups/FinalCutProRadio. I'll have a call in segment next week if there is indeed an update to FCPX where anyone can discuss the update. If there is breaking FCPX news, especially if there is a feature update, there will be a show out within 24 hours. You can download and listen on iTunes here.

 

The following is not a Final Cut Pro X feature request list or a wish list (that's here), but rather a list of features I expect to see included in the next FCPX feature update. We could also see updates for Motion and Compressor and maybe even Logic Pro X as well.

01) Audio, audio, audio.
Audio is at least 50% of good video. For example, where is a master volume control, busses, audio peak detection, the ability to apply a limiter outside of a clip, storyline or compound clip, effective audio mixing and keyframe recording?

Whether it's roles-based mixing or some new way of working with audio and roles, I expect audio improvements that include features like a master and sub master volume control, master effects, effects role plugins, audio only fades and crossfades to multiple clips via keyboard shortcut, etc.

02) Customizable window/panel layouts with a full window Timeline option.
Right now there is a single default window layout that you can reset with "Revert to Original Layout" under the Window menu. There should be customizable window layouts that you can save and recall like there are Keyboard Command Sets. There already is a Layouts folder so we should have multiple window layouts available. I use completely different layouts for editing in the timeline, tagging clips in the browser, multicam, color correction, etc. I'm constantly manually resizing the timeline, viewer, inspector and browser windows for different jobs. Resizing windows/panels by dragging manually is a huge, huge timewaster. Being able to save and recall window layouts is something that everyone else has and is long overdue.

waiting1

 

03) Remove attributes.
We can copy and paste effects and other attributes in FCPX, but they forgot the remove attributes panel.
A top request from professionals that has so far gone unfulfilled.

removeattributes

 

04) Timeline and timeline toolbar improvements.
The timeline should be optimized to be more efficient and responsive. Options for timeline markers, tools, shortcut icons, a scrolling and paging option, source clip and project timecode and a lock clip or storyline in place command to prevent any accidental movement. Thin visual lane dividers or dedicated lanes for organizing clips, clip selection for copy & paste includes attached clips, batch export of individual clips or range selections, keyframable opacity bar with fade handles directly visible on a timeline video clip, etc.

There is lots of empty timeline toolbar space that could be put to good use. Logic Pro X's sophisticated timeline toolbar and ruler makes FCPX's look pretty spartan.

waiting3

LogicProX1

Logic Pro X timeline toolbar and ruler area.

 

05) Advanced preferences.
Professionals need more control over FCPX than perhaps a beginner does so Advanced preferences makes sense. Logic Pro X has an Advanced preference pane with multiple checkbox options. If you prefer FCPX to be simpler as a beginner might, you could uncheck its Advanced preferences or they could be turned off by default.

06) Color coding for libraries, events, clips, projects, roles, etc.
There presently is no custom color coding in FCPX while t
he Mac OS has color "Tags". When you have dozens of audio clips on random lanes and many projects in the browser, the ability to color code them would help immensely with visual organization and identification. Logic Pro X has customizable colors available.

colors

 

07) Improved proxy workflow that includes proxy re-linking, a selectable proxy folder preference and proxy media consolidation.

proxy001
Using a pure proxy workflow for offline editing, especially with 4K or higher resolution media, would be very beneficial. I've copied libraries to an external hard drive and the proxies are offline even though they were brought along and are in the exact same folder structure and file path as the original. There is presently no re-link proxies command like there is for original media. There should also be an option to re-link cache files. And bring audio files and graphic files along with proxy files when using a proxy specific workflow.

Right now, it's an all or nothing approach when working with proxies in a project. The option to work with UHD 4K proxies, which are 1920x1080, along with 1920x1080 original or optimized media in the same timeline is due. A pop-up warning would let you know if you are using any proxy files in the timeline when you are exporting. Also a few quality and frame size options when making proxy files would be welcome.

08) Transition Auditions to stack and try out several transitions on an edit.

09) Master database that keeps track of every Library that has ever been opened in FCPX.
A searchable database that would keep track of Keywords, Favorites, Notes, location, and other metadata, even when a Library was offline.

10) Compound clips expand for editing directly in the Timeline
instead of going back and forth, back and forth to yet another timeline.

11) Improved Import window media options.
Allow us to create a new Library and set media storage locations in the consolidated Import Media dialog window.

12) Allow the choice between an internal and external managed Library when creating a Library with a single checkbox like Logic Pro X has for Package or Folder. External media folder structure will be created automatically if you choose the folder option.

LPXfolders
 

13) Save a Library as a Template and be able to select a Library Template from a Master Template Chooser.

SaveTemplate1

You would be prompted for a location and a name, which would telegraph through to the template Events. The template would recreate Smart collections, Events, managed or external preference, media folder structure, etc. You could save multiple templates for different Library needs. This would save time from creating a Library from scratch, especially complex Libraries that you reuse on a regular basis. You can make a template Library and duplicate it in FCPX, but you still have to set Library preferences, make an external folder if using external media, and point your media and cache files to it. This would make the process automatic and easy.

14) Slip audio and video out of and back in sync without detaching audio.
Currently you can slip sync if you open the clip in its own timeline but I expect to see this ability in a project timeline clip
.
Select a clip, right click and choose the sync option. Type a + or - followed by the number of frames to slip or use the < > keys to slip left or right one frame at a time. There should also be out of sync indicators for instant visual feedback and the ability to easily reattach and re-sync detached audio. A sophisticated database like FCPX's should be able to keep track of audio and video that was once synced.

slipvideo1

 

15) Checkboxes to allow custom settings, such as Spatial Conform and dual mono/stereo, to be saved .

savesetting1

 

16) Project improvements.
Playback/scrubbing in the browser and the ability to add a project to another project. You can scrub a compound clip timeline and multicam clip in the browser, but not a project.

waiting0011

 

17) More attaching options like the ability to attach a clip or storyline to any other clip or storyline
or to completely disconnect and reconnect, rather than only attaching to the main storyline as FCPX does now.

attach2

 

18) Save, rename, make favorite and drag and drop organize customized Transitions, Effects, Generators.
There is some customized naming and saving for titles, color corrections and now effects but I'd like to organize favorite effects, titles, generators, transitions via drag and drop in the effects browser and from the timeline into customizable folders in the browser.

waiting0041

 

19) iPad Final Cut Pro app and/or Remote app like the extensive Logic Pro X iPad Remote app.
A version of FCP that ran on an iPad, or even un updated iMovie app, could allow rough cutting and logging with proxy media to hand off an FCPX project to another editor for final editing and finishing. A remote app would include tabs for windows like a customizable palette of keyboard shortcuts, 3rd pary plugin HUDs, a large inspector window, audio & audio plugin controls, effect controls, audio roles mixing, etc.

LogicRemoteontheAppStoreoniTunes

20) Library Browser Improvements
Enable lasso selection in the Browser list view, add a sequence of numbers search in the filter search window, turn off Used Media orange check marks, and more.
 


 

21) Multicam improvements. Double clicking a Multicam clip opens the Angle editor with the timeline clip selected
and the Angle editor playhead matches the current timeline clip frame. From here, you can match frame back to source clip, color correct, stabilize, etc. Angle editor specific markers are carried over to the timeline and can be switched on and off. Also an option to not cut the designated master audio track when cutting between video angles.

lockaudio

 

Copyright © 2016 Richard Taylor. All rights reserved.
Apple and Final Cut Pro X are registered trademarks of
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