No Final Cut Pro X Update at NAB 2016

Final Cut Pro X was introduced to the world 5 years ago at NAB 2011

The question on many FCPX professionals' minds, is whether or not Final Cut Pro would see a major feature update at NAB 2016, like last year's 10.2. There is no better time or event to showcase an update for maximum exposure to a wide variety of video professionals from around the globe than NAB. Not just to the Final Cut Pro faithful, but to others who might be on the fence or even refuse to try FCPX for one reason or the other. NAB is the place to reach many, many video professionals.

The answer to that question was no, there was no update for Final Cut Pro at NAB 2016.

Apple has stopped having their own stage at high profile events like NAB or the former Macworld. Their reasoning is that they can schedule and host their own events, stream them live and draw huge virtual crowds to showcase their products. While this is true for an iPhone event or WWDC, a launch of a major update to FCPX would not get that much attention outside of current or would-be FCPX users. NAB is the place to get maximum exposure and publicity for such an update. We'll know shortly if Apple decides to update FCPX at NAB.

The next major feature update, FCPX 10.3, is just not ready, obviously since it wasn't released at NAB. There is no sense in releasing a half-baked not thoroughly beta-tested update. Since Apple didn't release an update to FCPX, that could imply when it is released, it will be a HUGE major update since it has taken over a year so far. It just needs more work to get there.

There was no FCPX update at NAB 2016. Here's what happened.

1) A preview of a future timeline of FCPX (and new apps?) to a very small group under NDA.
2) No update for FCPX at NAB 2016.

Final Cut Pro X introduced to the world 5 years ago at the Supermeet NAB 2011, part 1.


Final Cut Pro has made significant strides in the high end professional marketplace over the last several years, especially with the major Hollywood films "Focus", "Whiskey, Tango, Foxtrot" and "Geostorm", which were all edited with Final Cut Pro. Michael Cioni from Light Iron recently had some directors, producers and editors from "Whiskey, Tango, Foxtrot" together in a panel discussing their workflow and why they chose to use FCPX.


Whiskey, Tango, Workflow panel at Light Iron


Although Final Cut Pro could be updated at any time, if not at NAB 2016, the next logical timeframe would be in June around FCPX's 5th year birthday and/or WWDC. I did expect some FCPX news at NAB either way. For example, FCPX's install base numbers haven't been updated for 2 years. In 2014 they said there were "more than one million separate installations of Final Cut Pro X". It's not that the install numbers make that much difference, but Apple has set a precedent by always giving these numbers since the original FCP. I'm curious if there are over 2 million or even 3 million installs at this point.

The Final Cut Pro epicenter at NAB 2016 was the FCPExchange Workshop Series which will include 10AM morning sessions on Monday and Tuesday with Apple Product Marketing. If there is an update to FCPX at NAB, this is where it will be announced.


Final Cut Pro X introduced to the world 5 years ago at the Supermeet NAB 2011, part 2



As usual, the best Final Cut Pro professionals from around the globe will be discussing FCPX on The Final Cut Pro Radio Show. If there is breaking FCPX news, especially if there is a feature update, there will be a show out within 24 hours. You can download and listen on iTunes here.


The folowing is not a Final Cut Pro X feature request list or a wish list (that's here), but rather a list of features I expect to see included in the next FCPX update. We could also see updates for Motion and Compressor as well. At some point in 2016 we should see an update for the two year 4 month old Mac Pro.


01) Audio, audio, audio.
Audio is at least 50% of good video but FCPX hasn't paid 50% attention to it in the first 4 years. For example, where is a master volume control, busses, audio peak detection, the ability to apply a limiter outside of a clip, storyline or compound clip, effective audio mixing and keyframe recording?

Whether it's a roles-based mixer or some new way of working with audio, I expect audio improvements that include features like a master and sub master volume control, effects plugin inserts, audio only fades and crossfades to multiple clips via keyboard shortcut, etc.



02) Customizable window layouts with a full window Timeline option.
Right now there is a single default window layout that you can reset with "Revert to Original Layout" under the Window menu. There should be customizable window layouts that you can save and recall like there are Keyboard Command Sets. There already is a Layouts folder so we should have multiple window layouts available. I use completely different layouts for editing in the timeline, tagging clips in the browser, multicam, color correction, etc. I'm constantly manually resizing the timeline, viewer, inspector and browser windows for different jobs. Resizing windows by dragging manually is a huge, huge timewaster. Being able to save and recall window layouts is something that everyone else has and is long overdue.



03) Remove attributes.
We can copy and paste effects and other attributes in FCPX, but they forgot the remove attributes panel.
A top request from professionals that has so far gone unfulfilled. Here's a workaround to remove attributes in FCPX.



04) Timeline and timeline toolbar improvements.
The timeline should be optimized to be more efficient and responsive. Options for timeline markers, tools, shortcut icons, a scrolling option, source clip and project timecode and a lock clip or storyline in place command to prevent any accidental movement. Thin visual lane dividers (or a special lane for organizing clips not connected to the primary storyline like iMovie has), clip selection for copy & paste includes attached clips, batch export of individual clips or range selections, keyframable opacity bar with fade handles directly visible on a timeline video clip, etc.

There is lots of empty timeline toolbar space that could be put to good use. Logic Pro X's sophisticated timeline toolbar and ruler makes FCPX's look pretty spartan. Logic Pro X has an Advanced preference pane with multiple checkbox options. If you prefer FCPX to be simpler, you could uncheck its Advanced preferences. But professionals would have access to advanced features that they want and need.



Logic Pro X timeline toolbar and ruler area.


05) Color coding for libraries, events, clips, projects, roles, etc.
There presently is no custom color coding in FCPX while t
he Mac OS has color "Tags". When you have dozens of audio clips on random lanes and many projects in the browser, the ability to color code them would help immensely with visual organization and identification. Logic Pro X has customizable colors available.



06) Improved proxy workflow that includes proxy re-linking and proxy media consolidation.

Using a pure proxy workflow for offline editing, especially with 4K or higher resolution media, would be very beneficial. I've copied libraries to an external hard drive and the proxies are offline even though they were brought along and are in the exact same folder structure and file path as the original. There is presently no re-link proxies command like there is for original media. There should also be an option to re-link cache files. And bring audio files and graphic files along with proxy files when using a proxy specific workflow.

Right now, it's an all or nothing approach when working with proxies in a project. The option to work with UHD 4K proxies, which are 1920x1080, along with 1920x1080 original or optimized media in the same timeline is due. A pop-up warning would let you know if you are using any proxy files in the timeline when you are exporting. Also a few quality and frame size options when making proxy files would be welcome.


07) Transitions Auditions to stack and try out several transitions on an edit.

08) Master database that keeps track of every Library that has ever been opened in FCPX.
A searchable database that would keep track of Keywords, Favorites, Notes, location, and other metadata, even when a Library was offline.

09) Compound clips expand for editing directly in the Timeline
instead of going back and forth, back and forth to yet another timeline.

10) Improved Import window media options.
Allow us to create a new Library and set media storage locations in the consolidated Import Media dialog window.

11) Allow the choice between an internal and external managed Library when creating a Library with a single checkbox like Logic Pro X has for Package or Folder. External media folder structure will be created automatically if you choose the folder option.


12) Save a Library as a Template and be able to select a Library Template from a Master Template Chooser.


You would be prompted for a location and a name, which would telegraph through to the template Events. The template would recreate Smart collections, Events, managed or external preference, media folder structure, etc. You could save multiple templates for different Library needs. This would save time from creating a Library from scratch, especially complex Libraries that you reuse on a regular basis. You can make a template Library and duplicate it in FCPX, but you still have to set Library preferences, make an external folder if using external media, and point your media and cache files to it. This would make the process automatic and easy.

13) Slip audio and video out of and back in sync without detaching audio.
Currently you can slip sync if you open the clip in its own timeline but I expect to see this ability in a project timeline clip
Select a clip, right click and choose the sync option. Type a + or - followed by the number of frames to slip or use the < > keys to slip left or right one frame at a time. There should also be out of sync indicators for instant visual feedback and the ability to easily reattach and re-sync detached audio. A sophisticated database like FCPX's should be able to keep track of audio and video that was once synced.



14) Checkboxes to allow custom settings, such as Spatial Conform and dual mono/stereo, to be saved .



15) Project playback/scrubbing in the browser.
You can scrub a compound clip timeline and multicam clip in the browser, but not a project.



16) More attaching options like the ability to attach a clip or storyline to any other clip or storyline
or to completely disconnect and reconnect, rather than only attaching to the main storyline as FCPX does now.



17) Save, rename, make favorite and drag and drop organize customized Transitions, Effects, Generators.
There is some customized naming and saving for titles, color corrections and now effects but I'd like to organize favorite effects, titles, generators, transitions via drag and drop in the effects browser and from the timeline into customizable folders in the browser.



18) iPad Final Cut Pro X Remote app like the extensive Logic Pro X iPad Remote app.
This could include tabs for windows like a customizable palette of keyboard shortcuts, 3rd pary plugin HUDs, a large inspector window, audio & audio plugin controls, effect controls, audio roles mixer, etc.


19) Library Browser Improvements
Enable lasso selection in the Browser list view, add a sequence of numbers search in the filter search window, turn off Used Media orange check marks, and more.


20) Multicam improvements. Double clicking a Multicam clip opens the Angle editor with the timeline clip selected
and the Angle editor playhead matches the current timeline clip frame. From here, you can match frame back to source clip, color correct, stabilize, etc. Angle editor specific markers are carried over to the timeline and can be switched on and off. Also an option to not cut the designated master audio track when cutting between video angles.



Copyright © 2016 Richard Taylor. All rights reserved.
Apple and Final Cut Pro X are registered trademarks of
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